![]() Bucsi pursues this question further, entering into a dialogue. You are in the middle,’ Alan Watts reflects in David OReilly's Everything ( Berlinale Shorts 2017). Every action is only existent from the perspective of the individual itself. Every action is only then meaningful when something is truly created or when one is really taking care of someone else. Space as a place for reflecting on one’s own behaviour and the question of perception. They saw automatic writing as a possibility to activate the unconscious, spontaneous, dream-like and repressed elements of human inspiration. In its series of sequences and situations, Solar Walk recalls the liberating effect of automatic writing, which was employed by the surrealists in the 1920s as the basis for a new kind of creativity. Solar Walk follows the journey of individuals and their creations in space. Reason enough for the two creatures who landed in the new spot with the giant to jump into the vast blackness. ![]() And then the giant lets out a stream of black piss and pees a brand new universe. But also, as a time machine into a mythical era full of dark and doomful tales told by elderly women.Flags are planted. “The winner spoke to us like a film lost in time. → More Info Best International Documentary Short The Award of the Feature Film Award International Documentary therefore will be presented to Obscuro barroco by Evangelia Kranioti.” Heartened by this cinematic experience we decided to follow our guts and descend into the shadow world of the city of Eros and Thanatos of the new Gods of the Olympos of eroticism, power and politics of longing, belonging and loneliness of the people that transcend gender, time and age – in a film that is told in the pure sensorial energy and experience of cinematographic language, by a director who uses the camera as her paint brush – and, even with subtle humor, guides us with the words of Brazilian writer Clarice Lispector to finally understand the meaning of “La Vie en Rose”. And instead of shattering our hearts into more pieces our discussions mended our hearts. These films were, in alphabetical order: Island of the Hungry Ghosts by Gabriele Brady, Obscuro barroco by Evangelia Kranioti and Teatro de guerra / Theatre of War by Lola Arias. We exchanged passionate ideas about three well-crafted films by three female directors that spoke to our emotions, our guts and our minds. It’s about the melancholy of accepting chaos as beautiful and cosmic. Any meaning of action is only existent from the perspective of the individual, but never mandatory when looking at it from the perspective of a solar system. “Watching the International Documentary Feature Length competition our hearts soon burst into three different directions. Solar Walk shows the journey of individuals and their creations on through time and space. ![]() → More Info Best International Documentary Feature Filmĭir: Evangelia Kranioti | Francia, Grecia | 2018 “This short film leaves us with goosebumps due to its common yet rarely exposed theme.Įight of every ten cases of child abuse are perpetrated by someone in the child’s immediate circle of friends and family.īecause children are our future and we must listen to them and protect them, and because we must never cease to speak of these things that, despite being horrific, are all around us, the jury offers a Special Mention to La Culpa.” In a very sensible and intimate way the director tells the story of a surreal friendship and captures the complexity of loss. The phenomenon which happens in the film, triggers events that create a mysterious atmosphere and left us questioning what is real. The ability to build a story with such a strong atmosphere and the outstanding cinematographic signature of the director convinced us. The director crosses the boundaries between reality and the dream world as he tells the story of youth in their every day life dealing with anxiety, concerns and their search for answers to their existence. → More Info Best International Short Fiction It has unique, powerful, and cinematographically innovative images, supported by great characters that tell the story. This movie recovers the importante of memory, disappearances, and not forgetting our dead ones. → More Info Best International Fiction Feature Filmĭir: Alireza Khatami |Francia, Alemania, Países Bajos, Chile | 2017 Through this journey we discover a México that is marginal, poetic, meaningless, and overflowing with madness. The Weak Ones is the cinematographic wandering of an enigmatic young man in the search for the murderers of his dog. Not only are we amazed by a rigurours and profound script, but by a cinematographic gaze and precision in the actors direction.ĭir: Raúl Rico, Eduardo Giralt Brun | México | 2017 In this movie we see emerge a full talent. Wind Traces tells the story of a grief, of its denial and phantasmagoric pain. TRIBUTE WOMEN IN FILM AND TV: PILAR PELLICERĭir.TRIBUTE WOMEN IN FILM: CARMEN ARMENDÁRIZ.
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